Category Archives: vin's happenings

Please tell me I’m not alone on this one: hilarious fart jokes artistically rendered from old Japanese scrolls

http://io9.com/5886529/japanese-fart-scrolls-prove-that-human-art-peaked-centuries-ago

More Safari Park photos http://weathermon.com/p962629222

More Safari Park photos http://weathermon.com/p962629222

More Safari Park photos http://weathermon.com/p962629222

More Safari Park photos http://weathermon.com/p962629222

More Safari Park photos http://weathermon.com/p962629222

More Safari Park photos http://weathermon.com/p962629222

More Safari Park photos http://weathermon.com/p962629222

These guys are almost looking like the flamingos I shot later..but look at those long beaks! http://www.sdzsafaripark.org/

Mom and baby boy http://www.sdzsafaripark.org/

The massive pelican was doing some cleaning. http://www.sdzsafaripark.org/

A fun day with the Deviants; we got to shoot some giraffes, birds, lions and gorillas oh my!

Thought this was interesting: I thought Mayo was dangerous.

http://yourlife.usatoday.com/fitness-food/safety/story/2012-02-15/Wash-your-hands-of-these-food-safety-facts/53108938/1

USA TODAY’s Elizabeth Weise spoke with food safety experts to pull together a list of the most common food safety myths.

Mayonnaise is a death trap.

Actually, mayonnaise is an ingredient “with penicillin-like properties,” says Don Zink, senior science adviser for the Food and Drug Administration’s Center for Food Safety and Applied Nutrition in College Park, Md. Mayo is a homogenized mixture of oil and water, with egg white to stabilize it. The salt and vinegar or lemon juice makes the tiny droplets of water suspended in the mixture deadly to microbes. So for a safer salad, don’t hold the mayo. Putting in more mayonnaise only makes it safer, he says. No, not forever, but certainly long enough for a picnic. More>>

January 28, 2012 /Photography News/

The Photocrati Fund offers $5000 grants to photographers to undertake important humanitarian and environmental photography projects. The organizers’ goal is to identify outstanding photographers and to provide the resources necessary to pursue projects that will have a tangible and positive effect on the world.

The 2012 Photocrati Fund award will be announced at the Look3 Festival of the Photograph in Charlottesville, Virginia in June 2012. The grant winner will become a Photocrati Fellow for the calendar year from the announcement of his/her award until the announcement of the following year’s award.

Photocrati Fund Grants are in the amount of $5,000. The funds are intended to cover the costs of travel, lodging, and expenses for up to one-month of full time photography. If you are doing a project close to home, then the funds do not need to be spent on travel and lodging, but a case must be made for how they will be spent. Your project may also be longer than one month – just make a case for the appropriate duration for your project.

The funds will be disbursed in two portions. Photocrati Fellows will receive $4000 up-front prior to the project. The remaining $1000 will be disbursed to the Grantee upon completion of the project and upon receipt of a Project Report and an image portfolio from the project.

The Grantee is expected to provide a brief follow-up report upon completion of the project that describes how the project progressed, and which provides a detailed explanation of how funds were used. Along with the Project Report, the Fellow should submit a final Image Portfolio of 20-30 images.

Eligibility:

This grant is intended for both pro and emerging photographers. The grant is open to photographers over 21 years of age from any country worldwide, but applicants should have a proven ability to produce outstanding imagery and coherent photo essays, as well as the background necessary to carry out the proposed project. This means that for photographers planning to complete a project in a country other than their own country of origin, there should be a clear demonstration of preparation for work in that country (i.e. proper visas, contacts, language training, etc.).

Copyright and use of images:

The award winner retains all copyright and ownership of images resulting from the project, including the right to sell, print, or distribute images as he or she sees fit. By accepting the grant, the Grantee (the award winner) agrees, however, to give Photocrati a worldwide, non-exclusive right to display images included in the Grantee’s Photo Essay on the Photocrati.com website. The Grantee also gives Photocrati the right to use the resulting imagery on its website, in printed materials, or in galleries for the purpose of promoting the Photocrati Fund.

Deadline: April 1, 2012

For submission guidelines visit http://www.photocrati.com/photocrati-fund/

February 3, 2012 /Photography News/ beyondmemory is an open call for works which invites artists to reflect on contemporary photography and video’s role in perceiving history and collective memory.

Theme:

Memory has been for centuries a community’s natural repository of symbolic and mythical meaning; a combination of true stories and fantastical representations, which mixed, history with poetry, reality with art, artistic conjecture with collective unconscious, the universal with the singular. With the end of dogmas and grand ideological narratives, memory is no longer a producer of myths, rather it survives as the basis for a search of truth, taking up the role of instrument of knowledge, of historical production and verification of information. The idea that memory is repository of a single, absolute truth, has been replaced in our information age by the notion of many memories: micro-truths without universal authenticity which act on the knowledge and production of history. In particular, according to Michel Foucault’s view, photography has given birth to the idea of archive as a repository of memory and a fundamental building-block of the present.

Works submitted to Beyond Memory can contain images as clues for paradigms, textual elements, photographic installations with archive material, sound fragments, the use of photographs which are simply found or tell a common story, are some of the forms adopted by contemporary photography to give images various levels of significance to history and collective memory.

Full Story> http://www.photography-news.com/2012/02/beyondmemory-photography-competition.html